In 1961 the Ministry for Light Industry received the order to develop a new 'aviator's watch' for the People's Liberation Army Air Force. This was designated Project 304. The Venus Watch Company, Switzerland, were wanting to offload the calibre 175 chronograph tooling to raise capital for development of their calibre 188. The USSR were not interested, but the Chinese were. The 175 was purchased for Project 304. By October 1965, the third test batch were completed and submitted to the Ministry and Air Force for approval, which was passed in December. The production version was designated ST3. By May the following year, 1400 chronograph watches had been delivered to pilots of the PLAAF. A seconds-only chronograph version was prototyped, but it did not enter production. A small test batch was produced bearing the WuYi brand.

The face of the 1963 is pure, purposeful and surprisingly elegant for a military watch. The outer index of black markings and numbers indicates both the minutes and elapsed seconds down to a fifth of a second. Moving in, there are large golden hour markers, comprised of a mix of numerals and triangular markers. The use of surface applied golden markers, rather than printed markers, both create a more legible index and a welcome aesthetic detail. The 1, 5, 7 and 11 triangle markers point in towards the center of the watch, guiding the eyes to the Chinese characters above 6 and the golden-bordered red star under 12, as well as the printed “19 ZUAN”. At 9 there is the seconds sub-dial and at 3 is a 30-minute counter for the chronograph. Both have delicately styled blued hands, but the seconds hand is more decorative than the minute counter. I really enjoy that slight lack of symmetry as it breaks up the otherwise very even face. The main hour and minute hands are long and thin blued rectangles that are punctuated by the striking red of the chronograph seconds-counter.

The face itself is a sort of pearlescent khaki/silver. It has a slightly antique feeling to it that suits the 60’s vintage well. One thing I must say is that this watch is extremely fun to photograph (which you might be able to tell from the gallery). Everything shimmers and shines in a unique way; there are flecks of gold, blue, silver and red in every angle. There is also the decorated ST19 movement, which is visible through the screen-printed display case back. The glass of the case back has, all in red, four Chinese characters, a star in the center of column shape and the number 1963. The movement itself is an elaborate lattice of golden gears, jewels, blued screws and “Seagull striped” bridges. It is the sort of movement that is hypnotic to look at: reminding you of the brilliant intricacies that go into every mechanical watch.

The watch measures a mid-small 38mm with an 18mm lug width, but is approaching 14.5mm tall. The overall sensation is not that of a small watch. Between the weight from the mechanical movement and generally bulbous shape of the acrylic crystal and case-back, the watch has a definite arm presence, one that is increased by a NATO strap. And as Z. D. Smith, the owner of this 1963, demonstrated in his
Pairs Well With, the watch’s styling compliments contemporary fashions very well.
The 1963 is now available in a couple of varieties. The one featured in this article is the 19 jewel, acrylic crystal model with display case back that was purchased about 6 months ago directly from the
Hong Kong factory, which is a way to save a bit on the purchase, running around $180. The Seagull 1963 site now lists these as unavailable. Currently, through the 1963 website, the available model is a 21 jewel, sapphire crystal model that will run $389 or more with the
multitude of strap options. Frankly, having played with the watch myself for sometime, I think $389 is a still a great price, and I am sure that with some hunting one can find it for less. I would not buy this watch without the display case back, however. Part of what makes this watch so cool is that it is a faithful recreation of a vintage watch, down to the movement. As such, the movement, which is truly mesmerizing, should be viewable.
So, as far as the Seagull brand goes. I hope that they continue to pursue the avenue suggested by the 1963. Taking the rich but relatively obscure history of their own brand and bringing it to light via recreations, while establishing themselves as a quality and competitive watch manufacturer. For example, given the current lust for vintage Rolexes and Omegas going on, I am surprised that they haven’t brought back the “
Dongfeng”, which was the first original Chinese movement (where as the ST19 was based on Swiss designs). Its thoroughly late 60’s styling is very of the current moment, and once again, its history makes it fascinating… I mean, as a watch-nerd, how can one turn down a fashionable conversation piece?
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